HUMN 303 Week 4 Essay – Play Analysis

Paper Instructions

Assignment

Required Resources

Read/review the following resources for this activity;

  • Textbook Chapter 8
  • Play from the Internet, YouTube, DVD, iTunes, Amazon, Netflix, etc.
  • 1 primary source (written version of selected play)

Instructions

Plays are meant to be performed, rather than read. The purpose of dramatic arts often extends far beyond the words written on a page; staging, lighting, costumes intonation, expression, and audience experience are all part of the experience of a theatrical production. To develop your understanding of the cultural role of the dramatic arts, you will view a production of a play this week and write a reflection to explain your viewing experience. Choose a play that you would like to view and find a version online, YouTube, DVD or iTunes, Amazon, Netflix, etc. You can also choose to see a play live if you prefer.

Play Suggestions

  • A Midsummer Night’s Dream
  • Romeo and Juliet
  • As You Like It
  • Taming of the Shrew
  • The Tempest
  • Much Ado About Nothing
  • The Comedy of Errors
  • Macbeth
  • King Lear

If you have another idea, please ask your instructor to approve it.

Then, select and address one of the following options

Option 1

Write an analysis of the play that you viewed. Include at least one quote from the play in your essay. In your essay, address the following;

  • Identify the performance that you have selected.
  • Describe the staging, lighting, costumes, and characters of the performance. How do these match or revise the written version of the play? You do not need to read the entire play, but you should skim the text.
  • What type of mood and tone does the performance create? How?
  • What parts of the play are easier to understand through performance? What are some details that stood out through performance?
  • What are your feelings about this performance? What did you take away from viewing it?

Option 2

Find an adaptation or transformation of a play. Choose an adaptation with some significant differences from the original, such as transposed plots and characters into a variety of different settings and historical contexts. Here are some examples;

  • A Midsummer Night’s Dream – A Midsummer Night’s Dream (1999) or A Midsummer Night’s DREAM (2018)
  • Romeo and Juliet – Romeo + Juliet (1996) or West Side Story (1961) or Romeo Must Die (2000)
  • As You Like It – As You Like It (2006)
  • Taming of the Shrew – 10 Things I Hate About You (1999) or Kiss Me, Kate (1948)
  • Much Ado About Nothing – Much Ado About Nothing (2012)
  • The Comedy of Errors – The Bomb-itty of Errors (2012)
  • King Lear – A Thousand Acres (1997)
  • Othello – O (2001)
  • Hamlet – The Lion King (2019 or 1994) or Hamlet (2000)
  • Twelfth Night – She’s the Man (2006)

If you have another idea, please ask your instructor to approve it.

Watch the original version and the adapted version. In your essay, address the following;

  • How is the adaptation the same as the original? Discuss plot, characters, theme, conflict, language, etc.
  • How does the adaptation differ from the original? Discuss setting, time period, characters, plot, language, etc.
  • Does the original story translate well in the adaptation? Why or why not? Did the adaptation work in a different setting, time period, etc. Why or why not?
  • Why do you think Shakespeare’s plays are adapted so often?

Writing Requirements (APA format)

  • Length: 1.5-2 pages (not including title page or references page)
  • 1-inch margins
  • Double spaced
  • 12-point Times New Roman font
  • Title page
  • References page (minimum of 1 source)

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William Shakespeare is a great playwright of his time with his artistic works; poems and plays, still captivating and entertaining various audiences around the world based on the themes they contain. Among Shakespeare’s most famous plays is The Tempest, which he wrote around 1610. Many consider The Tempest as among his last masterfully crafted artworks where he explored uncomfortable aspects of human feelings and offered his audience a humorous relief.

The Tempest explores revenge, magic, political deceit, intimidation, and arranged unions to get power (Shakespeare, 2021). Set in a ship and depicting the realities of Italian politics while adding mystery and magic, the play continues to have adaptations in theater today. The purpose of this essay is to analyze the play, which was performed by the Savage Rose Classical Theater in 2014, for all audiences.

Staging, Lighting, costumes, and Character of the Performance

The staging of the play by Savage Rose Classical Theater can be described as simple and depicts the original setting, where a significant part revolves around the crew weathering the storm. The stage comprised two stairways that flanked an entrance to the right and left. The team creates a convincing image as the deckhands attempt to save the ship from sinking. The lighting is dim or dark as it offers the audience a mysterious ambiance that Shakespeare liked to create in his plays (Hatchuel et al., 2020). The dim lighting also keeps the audience’s attention on the stage as it creates an illusion of being aboard the ship in a storm. As such, lighting was brilliantly used to recreate the time of the day and weather as well as translate the scenic mood.

The company used meek costumes to suit the time or era when the play was initially performed (Savage Rose, 2014). While the costumes were meek, they were different, and this aided the visualization of each character on the stage. The characters’ performance was somehow eccentric as they were overly loud and exaggerated reactions in certain situations. The emphasis on the action and voice of the characters is a heritage of many classical theater schools, especially during Shakespeare’s time when most theaters were open and one had to shout to reach the farthest row of the audience (Dinç, 2023). The characters also speak modern English since English has considerably changed over the past several centuries, and this leaves a significant imprint on the performance.

Type of Mood and Tone Created by the Performance

The Savage Rose Classical Theater performance of the play creates various tones and moods through actions and decisions that the characters make. At the start, the characters depict sorrowful and forgiving tones emanating from feelings of vengeance. The play’s mood swings and tonal changes are neoclassical (Nareerak, 2023). For instance, when two of the main characters fall in love, the tone is solemn and almost hushed. Some elements of anger also arise as illustrated by Prospero’s chastising Ariel’s quest for freedom. However, as issues and transgressions are settled, the play’s tone and mood improve to depict joy with comic effects that tickle the audience.

Performance Parts

Most parts of the play as staged by Savage Rose are easier to understand through performance. For instance, private conversations between the characters were easy to understand. These parts were exaggerated and had comic nuances that made them enjoyable. Ariel’s performance in luring Ferdinand into Prospero’s liar is easy to understand (Savage Rose, 2014). He speaks in a clear and audible voice and the scene highlights his wonder and confusion (Nareerak, 2023). The stage presence of the two made it also easy to understand the play as they commanded attention. The play resonates with the audience as it has fewer characters and limited background sounds.

Feelings about the Performance

I feel that this performance was brilliantly crafted by the crew or the company to depict the original themes while marrying them with the realities of today. For instance, the characters did not use Shakespearean English but focused on transmitting the core message to the audience. For instance, Prospero says, “The cloud-capped towers, the magnificent palaces, the solemn temples, the big globe itself, Yea, everything which it inherits, shall disintegrate” (Shakespeare, 2023). The key takeaway from the play is the theatrical visualization which is superior to the text version. The visualization assists in conveying the atmosphere, the characters’ emotions, and the mood of the play. The play does not leave one to the imagination as the text and this is essential to understanding its core themes.

Conclusion

The Tempest as crafted by William Shakespeare is a play with several tragedies and consequences as illuminated by the main characters through the performance by the Savage Rose Classical Theater. The performance of this play is brilliantly done to reflect the various issues as depicted by the author; from emotions to revenge and attempts by the characters to emphasize core messages. Watching the performance was refreshing and helped improve my understanding of the original play in the text.

References

  • Dinç, D. B. (2023). Linguistic Colonialism in the Tempest by William Shakespeare. Journal of Academic Social Science Studies, 16(96) 91-106.
    DOI http //dx.doi.org/10.29228/JASSS.71928
  • Hatchuel, S., & Vienne-Guerrin, N. (Eds.). (2020). Shakespeare on screen. Cambridge, UK Cambridge University Press. Marrouchi, M. (2020). The enigmatic nature of Shakespeare’s The Tempest. International
    Journal of Language and Literary Studies, 2(1) 142-154. DOI 10.36892/ijlls.v2i1.205
  • Nareerak, P. (2023). William Shakespeare Reflections on the four sublime states of mind in the Tempest. Theory and Practice in Language Studies, 13(2) 494-500. DOI https //doi.org/10.17507/tpls.1302.26
  • Shakespeare, W. (2021). The Tempest (play on Shakespeare). ACMRS Press.
    Savage Rose Classical Theater (2014 July 11). The Tempest – Full Play [Video]. YouTube.

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